Project Background
The high degree of integration between the spatial design effect and the expression of the project product is the source of the design idea of "Sitting Well, Jianghu Cuisine". At the moment when visual restaurants are prevalent, the satisfying dining experience of diners will give the project brand a sustainable output value.
Interior Renderings
The name of the project is "Wind Master", as the name suggests, Mr. Fengya The combination of "style" and "hot pot" The "lively" and "red fire" that breaks the inertial thinking The space introduces the architectural design concept with "modern elements" to bring people the most fundamental experience
Stepping into the "wind master", elegant things and the fun of life can be reflected, just like the "sense of ritual needs in life" that is often hung on the lips at the moment, in the process of eating, let the vision also be enjoyed, diners subtly become the "design" part, "space" in line with contemporary development, will have a long-term vitality.
Just like the zoning layout of the interior design, Fengfuzi covers an area of 1800 square meters, with two elevators and double entrances, divided into three dining areas, 2 rest areas, 21 table card seats and 22 private rooms, and can accommodate about 300 diners at the same time to meet various numbers and dining requirements.
"One step at a time" is the biggest highlight of The Wind Master, using the design techniques of perspective and dew view to create three different landscape surfaces, the charm of the "Oriental Garden" in the front hall, the modern sense of the "metallic color" in the back hall, and the open-mindedness of the "broken wall ruins" in the private room, which are staggered and rich in layers, and are looming immersed in interesting spaces.
Passing through the hall to the corridor, the more diluted the feeling of the hot pot is, standing at the fork, looking in different directions, the landscape presented is also different, creating a hazy sense of space that "only in this scene, the alley is not known".
The space presents more of a language expression of the material, using coarse ore materials such as cement texture, red brick, rough stone, old copper plate, etc., with delicate artistic paint and peaceful logs, equipped with bamboo, rockery, dead trees, water features and other landscapes, the overall space is distinct and dynamic, close to nature, continuing nature in the entire space.
The contrast and fusion of poetic and elegant design and the liveliness of food, abandoning the commercial echo, building an independent artistic space with artistic conception, "like a strange anyway", the space seeks unity in "change", no matter how "change", diners "gather around the stove to drink and cheer, and the taste dissolves in the kettle" is the original intention and ultimate purpose of our design.
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